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Operating out of a quiet Greenwich Village studio, New York-based creator Ellen Colcord has captured the attention of the contemporary art world with a striking new ceramic collection. Titled “Army of Beings,” the series serves as a visual bridge connecting the ancient art of working with clay to the invisible depths of human spirituality.
The mystical sculptures achieve a careful balance of modern and ancient aesthetics, resonating with deep emotion and symbolism. Eschewing strict preliminary planning, Colcord relies on a swift, intuitive process she calls “spontaneous meditation.”
In this approach, the clay acts as a direct collaborator, preserving the “memory of touch” and capturing fleeting moments of subconscious insight with raw honesty. Rather than viewing the evolving pieces as static objects she constructs, Colcord treats them as “visitors” that she simultaneously guides and follows.
This spiritual body of work has roots in a significant 1988 career transition, when Colcord walked away from a successful position at a New York City design firm to pursue fine art full-time. That pivot sparked a multi-continent academic and creative exploration:
While her artistic practice spans multiple mediums—such as film, collage, and books—clay continues to be her fundamental medium for visceral, direct expression.
As the contemporary art sphere investigates profound meaning and material boundaries, the “Army of Beings” stands out as a meaningful addition. These clay creations invite deep contemplation, acting as physical portals to heavenly dimensions while reflecting humanity’s timeless search for the sacred.