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Working from a quiet Greenwich Village studio, New York-based creator Ellen Colcord has captured the attention of the contemporary art scene with her latest collection, “Army of Beings.” This compelling series of ceramic sculptures uses the ancient medium of clay to bridge the gap between tangible forms and intangible human spirituality.
Striking a careful balance between historical echoes and contemporary aesthetics, Colcord’s mystical sculptures carry profound symbolic and emotional weight. Rather than relying on strict premeditation, she employs a rapid, intuitive practice known as “spontaneous meditation” that favors immediate execution over careful planning.
In this creative framework, the clay acts as an active collaborator. The material preserves the “memory of touch,” capturing fleeting moments of subconscious thought with raw honesty. Instead of viewing her evolving creations as rigid objects she builds alone, Colcord regards them as “visitors” whom she simultaneously guides and follows.
The foundation for this spiritually focused collection was laid in 1988, when Colcord walked away from a successful career at a New York City design firm to pursue fine art full-time. This pivotal choice initiated a rich artistic and academic exploration spanning multiple global locations:
While Colcord expresses her vision across diverse mediums such as film, collage, and books, clay serves as her central vehicle for visceral, direct communication.
As the contemporary art world continually investigates themes of deep meaning and material boundaries, the “Army of Beings” stands out as a meaningful addition. These clay figures invite quiet contemplation, acting as physical thresholds to heavenly realms and reflecting humanity’s timeless search for the sacred.